Browse Primary Sources

Subject is exactly race

VII-"White Man Turned Negro is Praised and Damned" - John Howard Griffin- Sepia

Sepia  1960-10-01

VI-"Journey Into Shame" - John Howard Griffin - Sepia Magazine

Sepia  1960-09-01

V-"What Happens to John Griffin, White Man Turned Negro, When He Stops to Rest in Dismal Alabama Ditch" - John Howard Griffin - Sepia Magazine

Sepia  1960-08-01

IV-"In Spite of Being Hanged In Effigy, John Griffin Continues His Journey Into Shame" - John Howard Griffin - Sepia Magazine

Sepia  1960-07-01

III-"Life as a Negro: Journey Into Shame" - John Howard Griffin - Sepia Magazine

Sepia  1960-06-01

II-"Life as a Negro: Journey Into Shame" - John Howard Griffin - Sepia Magazine

Sepia  1960-05-01

I-"Life as a Negro: Journey Into Shame" - John Howard Griffin - Sepia Magazine

Sepia  1960-04-01

"At a Slaughterhouse, Some Things Never Die" - Charlie LeDuff - New York Times

It must have been 1 o'clock. That's when the white man usually comes out of his glass office and stands on the scaffolding above the factory floor. He stood with his palms on the rails, his elbows out. He looked like a tower guard up there or a border patrol agent. He stood with his head cocked.One o'clock means it is getting near the end of the workday. Quota has to be met and the workload doubles. The conveyor belt always overflows with meat around 1 o'clock. So the workers double their pace, hacking pork from shoulder bones with a driven single-mindedness. They stare blankly, like mules in wooden blinders, as the butchered slabs pass by.It is called the picnic line: 18 workers lined up on both sides of a belt, carving meat from bone. Up to 16 million shoulders a year come down that line here at the Smithfield Packing Co., the largest pork production plant in the world. That works out to about 32,000 a shift, 63 a minute, one every 17 seconds for each worker for eight and a half hours a day. The first time you stare down at that belt you know your body is going to give in way before the machine ever will.

The New York Times  2000-06-18